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DamienB wrote:Filters are the work of the devil.
My personal technique is to dial in some serious underexposure when I know I'll be tracking through the sun, close eye as the frame becomes very bright and fire several shots in a row. All you need to do with the resulting frame is punch the blacks up a bit for a deeper blue in the sky. And spent the next 2 days cloning out the dust spots. I leave the bright bits of airborne fluff and lens flare alone.